Complete Project: Spectre
Posted: Thu Dec 27, 2018 3:22 pm
Hello everyone, I was looking at a post by Martin Vicanek and I was impressed by the idea of a spectral tilt equalizer balancer thingy.
I, at first was a bit skeptical - Not thinking I would get any use of it.
However, I have been meaning to make a new style of knob due to the fact that big image driven knobs use a lot of CPU and crash schematics.
So "Space Monkey" is My first vector driven knob. it automatically resizes and does what you like in ways of style. I like the fact that it is so
compact and it looks intuitive.
Anyways, I practically applied this new knob idea into this work "Spectre" which to Me, is ideal for taking a Hip-Hop drum track and removing the bass;
And then bringing it to normal. It also excels at adding bass to a vocal which is useful.
Due to the fact that the Ruby output was linear I was able to log the max and minimum states to the point where I made the ruby co-efficient into some
addition and multiplication so that it processed faster than before. My goal and aim was to provide the same effect but in such a way that automation
is a palpable notion. So, now there is no lag and no blips and I hope You find a use for "Spectre", I'm reaaly glad that Martin shared this technology with us all,
because this particular project sounds clean and nice. It's hard to knock anything that sounds that way.
This is a first version final, because I had the time to test it. I've tested automation, presets, practical Use, decibels and avoidance of clipping. I think I may add another version which has touch screen and typed input, as well as the preset order reversed. Also, auto-makeup gain or reduction might be handy too; assuming it is fast
and it does not have any snags.

Download: LA School Spectre 4-3.fsm (39.2KB)
I, at first was a bit skeptical - Not thinking I would get any use of it.
However, I have been meaning to make a new style of knob due to the fact that big image driven knobs use a lot of CPU and crash schematics.
So "Space Monkey" is My first vector driven knob. it automatically resizes and does what you like in ways of style. I like the fact that it is so
compact and it looks intuitive.
Anyways, I practically applied this new knob idea into this work "Spectre" which to Me, is ideal for taking a Hip-Hop drum track and removing the bass;
And then bringing it to normal. It also excels at adding bass to a vocal which is useful.
Due to the fact that the Ruby output was linear I was able to log the max and minimum states to the point where I made the ruby co-efficient into some
addition and multiplication so that it processed faster than before. My goal and aim was to provide the same effect but in such a way that automation
is a palpable notion. So, now there is no lag and no blips and I hope You find a use for "Spectre", I'm reaaly glad that Martin shared this technology with us all,
because this particular project sounds clean and nice. It's hard to knock anything that sounds that way.
This is a first version final, because I had the time to test it. I've tested automation, presets, practical Use, decibels and avoidance of clipping. I think I may add another version which has touch screen and typed input, as well as the preset order reversed. Also, auto-makeup gain or reduction might be handy too; assuming it is fast
and it does not have any snags.

Download: LA School Spectre 4-3.fsm (39.2KB)